Singing the French Revolution
popular culture and politics, 1787-1799
by Laura Mason
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Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature.
Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate.
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Singing the French Revolution: popular culture and politics, 1787-1799
1996, Cornell University Press
in English
0801432332 9780801432330
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Includes bibliographical references (p. 251-262) and index.
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- Created April 1, 2008
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| August 4, 2024 | Edited by MARC Bot | import existing book |
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