In the twentieth century, the avant-garde declared a clean break with history, but their hostility to the female subject and the beauty she symbolized had deep roots in the past.
An edition of Venus in Exile: The Rejection of Beauty in Twentieth-century Art
(2001)
Venus in Exile
The Rejection of Beauty in Twentieth-century Art
by Wendy Steiner
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"Whereas previous eras had celebrated beauty as the central aim of art, the modernist avant-garde were deeply suspicious of beauty and its perennial symbols, woman and ornament, preferring instead the thrill and alienation of the sublime. They rejected harmony, empathy, and femininity in a denial still reverberating through art and social relations today.
Exploring this casting of Venus, with all her charms, into exile, Wendy Steiner's analysis explores the twentieth century's troubled relationship with beauty."--BOOK JACKET.
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| Edition | Availability |
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1
Venus in Exile: The Rejection of Beauty in Twentieth-Century Art
November 15, 2002, University Of Chicago Press
Paperback
in English
0226772403 9780226772400
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2
Venus in exile: the rejection of beauty in twentieth-century art
2001, University of Chicago Press
in English
0226772403 9780226772400
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3
Venus in Exile: The Rejection of Beauty in Twentieth-century Art
July 31, 2001, Free Press
Hardcover
in English
0684857812 9780684857817
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"In the twentieth century, the avant-garde declared a clean break with history, but their hostility to the female subject and the beauty she symbolized had deep roots in the past."
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- Created April 29, 2008
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