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"Analyzes the impact of color technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers' perfection of the autochrome color photography process. Examines the development of the basic aesthetic schemata of modern visual culture"--Provided by publisher.
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Subjects
Color, Color in art, Impressionism (Art), History, Impressionism (art), Art, french, Social aspectsPlaces
FranceTimes
19th centuryShowing 1 featured edition. View all 1 editions?
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1
Color in the age of impressionism: commerce, technology, and art
2017, Penn State University Press
in English
027107700X 9780271077000
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Book Details
Table of Contents
Michel-Eugène Chevreul, color, and the dangers of excessive variety
From blue roses to yellow violets : flowers and the cultivation of color
Impressionism's chemical aesthetic : the materials and meanings of color
Fireworks : color, fantasy, and the visual culture of modern enchantment
Chromolithography : posters, trade cards, and the politics of ephemera collecting in fin-de-siècle France
Epilogue : autochromes and neo-impressionism : the end of the age of impressionism.
Edition Notes
Includes bibliographical references (pages 241-258) and index.
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The Physical Object
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- Created May 24, 2019
- 7 revisions
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December 19, 2023 | Edited by ImportBot | import existing book |
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May 24, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |