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Susan J. Navarette examines the ways in which scientific and cultural concerns of late nineteenth-century England are coded in the horror literature of the period. By contextualizing the structural, stylistic, and thematic systems developed by writers seeking to reenact textually the entropic forces they perceived in the natural world, Navarette reconstructs the late Victorian mentalite.
She analyzes aesthetic responses to trends in contemporary science and explores horror writers' use of scientific methodologies to support their perception that a long-awaited period of cultural decline had begun.
In her analysis of the classics Turn of the Screw and Heart of Darkness, Navarette shows how James and Conrad made artistic use of earlier "scientific" readings of the body. She also considers works by lesser-known authors Walter de la Mare, Vernon Lee, and Arthur Machen, who produced fin de siecle stories that took the form of "hybrid literary monstrosities."
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Subjects
Body, Human, in literature, Decadence (Literary movement), Degeneration in literature, English Horror tales, English fiction, Fear in literature, History, History and criticism, Horror tales, English, Literature and science, Human body in literaturePlaces
England, Great BritainTimes
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The shape of fear: horror and the fin de siècle culture of decadence
1998, University Press of Kentucky
in English
0813120136 9780813120133
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Book Details
Edition Notes
Includes bibliographical references (p. [278]-298) and index.
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- Created April 1, 2008
- 10 revisions
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| January 6, 2026 | Edited by MARC Bot | import existing book |
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