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A pioneer in the medium of photomontage, Hannah Hoch (1889-1978) was the sole female member of the Berlin Dada movement and continued to produce innovative works well into the 1970s. In the decade and a half since her death, a new generation of scholars has focused its attention on her elegant dissection of the representation of women in the mass media during the Weimar era.
Here, in the first comprehensive survey of her work by an American museum, authors Peter Boswell, Maria Makela, and Carolyn Lanchner survey the full scope of Hoch's half-century of experimentation in photomontage - from her politically charged early works and intimate psychological portraits of the Weimar era to her later forays into surrealism and abstraction.
This beautifully designed catalogue presents more than l00 color plates and offers new insights into the life and career of this extraordinary artist.
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Edition Notes
Includes bibliographical references (p. 217-220) and indexes.
Exhibition organized by the Walker Art Center, Minneapolis, and held Oct. 20, 1996-Feb. 2, 1997 at the Center, Feb. 26-May, 20, 1997 at the Museum of Modern Art, New York, and June 26-Sept. 14, 1997 at the Los Angeles County Museum of Art.
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- Created April 1, 2008
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August 19, 2022 | Edited by MARC Bot | normalize LCCNs |
August 23, 2021 | Edited by MARC Bot | import existing book |
July 2, 2019 | Edited by MARC Bot | replacing ocaid with lendable copy |
January 12, 2019 | Edited by MARC Bot | import existing book |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |