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In 1932, against the troubled background of the Depression, the American art community had its first glimpse of the revolutionary art of the Surrealists. Combining a fascination for Freud's new symbolic language of dreams with a radical leftist utopianism, the Parisian movement galvanized an emerging American avant-garde.
New galleries opened to exhibit the "terrifying," "insane" works of Surrealist artists, and new magazines sprang up to publish a startling crop of Surrealist poetry, criticism, and vociferous attacks on mainstream culture and politics.
Only four years later, a major Surrealist exhibition at the Museum of Modern Art catapulted Surrealism into the cultural limelight and the attention of high-fashion magazines like Harper's Bazaar and Vogue. Soon the art of Man Ray was selling cologne and swimwear and the manic Salvador Dali was designing windows for Bonwit's and a pavilion at the 1939 New York World's Fair.
Even Andre Breton and his circle, exiled in Manhattan during World War II, were unable to assert control over this new kind of Surrealism. If anything, their cultural dislocation in these years gave Americans the edge in developing new Surrealist concepts and new movements such as Abstract Expressionism.
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In this innovative and vividly written cultural history, Professor Dickran Tashjian tells the story of Surrealism's remarkable sea change during its years in America, from a fiercely leftist, strongly literary, avant-garde movement into an apolitical, almost exclusively visual style.
Exploring both "high" and "low" cultural perspectives, he shows how the American avant-garde selectively filtered and reshaped European Surrealism to meet its own agendas, and how it in turn was reinterpreted, de-politicized, and commercially exploited by mainstream American culture and the fashion/advertising industry.
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A Boatload of Madmen: Surrealism and the American Avant-Garde, 1920-1950
September 2001, Thames & Hudson
Paperback
in English
0500282854 9780500282854
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A boatload of madmen: surrealism and the American avant-garde, 1920-1950
1995, Thames and Hudson
in English
0500236879 9780500236871
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August 6, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 24, 2010 | Edited by Open Library Bot | Fixed duplicate goodreads IDs. |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 14, 2010 | Edited by Open Library Bot | Linked existing covers to the edition. |
April 29, 2008 | Created by an anonymous user | Imported from amazon.com record |