An edition of Origins, Imitation, Conventions
(2002)
Origins, Imitation, Conventions
Representation in the Visual Arts
by James S. Ackerman
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This collection contains studies written by art historian James Ackerman during the 1990s. The work reflects the poststructural critique of the presumption of progress that characterized Renaissance and modernist history and criticism.
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Previews available in: English
Subjects
Art criticism, Art, historiography, Art, renaissance, Modernism (art), Historiography, Art, Renaissance Art, Modernism (Art), Poststructuralism, Critique d'art, Historiographie, Art de la Renaissance, Modernisme (Art), Poststructuralisme, Post-structuralism, ART, Criticism & Theory, Beeldende kunsten, Vernieuwing, Kunstkritiek, Art criticism--historiography, Art--historiography, N7480 .a29 2002, 701/.18Showing 2 featured editions. View all 2 editions?
| Edition | Availability |
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1
Origins, Imitation, Conventions: Representation in the Visual Arts
2002, MIT Press
in English
0262266768 9780262266765
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2
Origins, Imitation, Conventions: Representation in the Visual Arts
March 15, 2002, The MIT Press
Hardcover
in English
0262011867 9780262011860
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- Created August 28, 2020
- 2 revisions
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| January 7, 2023 | Edited by MARC Bot | import existing book |
| August 28, 2020 | Created by ImportBot | Imported from Better World Books record |