An edition of American Film (1975)

American Film, Volume VI, Number 5

March 1981

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Last edited by Vinnie Rattollee
December 5, 2016 | History
An edition of American Film (1975)

American Film, Volume VI, Number 5

March 1981

  • 0 Ratings
  • 27 Want to read
  • 2 Currently reading
  • 0 Have read

$2.00 cover price. Cover features the wedding scene from "Excalibur" starring Nigel Terry and Cherie Lunhi.

Publish Date
Language
English

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Previews available in: English

Edition Availability
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Book Details


Table of Contents

Ad. "Smokey and the Bandit II" on videocassette Page 4
The Editing Room. Page 5
Letters. Page 6
About Television: J.R. Is Alive and Well in Turkey. Something is going on here with respect to "Dallas," and it is more than American cultural aggrandizement. Page 8
Lehman at Large: Hollywood Comes of Age. "Harry, enough with retirement, make pictures again. What do you want with that empty, meaningless, predictable life of yours...?" Page 13
Explorations: Sympathy for the Devil. After a long period spent wandering in the wilderness, Kenneth Anger has finally premiered "Lucifer Rising," his first finished film in nearly a dozen years. Page 16
Ad. "Mickey Mouse Disco" on home video Page 20
The Video Scene: A Wider World of Sports. A look at the expanding menu of sports available on pay and cable television - and a close-up view of two new cable networks catering to insatiable sports fans. Page 21
Ad. Neil Simon for Save the Children Page 25
How We Created Columbo - And How He Nearly Killed Us. It was a detective series with a twist - no mayhem, no chases. What went on behind the scenes was another story - one that exposes the inner workings of network television. Page 26
The World of King Arthur According to John Boorman. With "Excalibur," the British director turns to tales of knights and sorcerers. Page 30
Dialogue on Film: Robert De Niro. The usually reticent actor talks about his performance in "Raging Bull," how he prepares for a role, and his collaborations with his favorite director, Martin Scorsese. Page 39
From "Breaking Away" to "Eyewitness": [Peter] Yates and [Steve] Tesich Shift Gears. Can the team who celebrated coming of age in Indiana meet the challenge of a whodunit set in Manhattan? Page 49
Why Movie Audiences Aren't Safe Anymore. A directing ploy invites viewers to participate - with sinister results. By Roger Ebert Page 54
Doing What Comes Naturally. Actor Timothy Hutton, says one admirer, has "an instinctive sense of precisely what is right." Page 62
Festival Report: The London Marathon. The new Australian cinema is delving into its country's most aboriginal history; Manganinnie has the flavor of The Wild Child, but mostly it's a work of sui generis beauty and resonance. Page 69
Books. Reviews.
Can a Book Capture a Film?. "Two or Three Things I Know About Her: Analysis of a Film by Godard" by Alfred Guzzetti Page 71
TV Guide for Parents. "Teaching Television: How to Use TV to Your Child's Advantage" by Dorothy G. Singer, Jerome L. Singer and Diana M. Zuckerman Page 72
American Film Classified Ads. Page 76
From the Director. Inaugural column by Jean Firstenberg, director of the AFI. Page 80

Edition Notes

Published in
New York, New York, USA
Series
Magazine of the Film and Television Arts
Copyright Date
1981

Contributors

Writer
Martin Mayer
Writer
Ernest Lehman
Writer
J. Hoberman
Writer
Harlan Kennedy
Writer
Gary Arlen
Writer
Richard Levinson
Writer
William Link
Writer
Bernard Drew
Writer
Roger Ebert
Writer
Bruce Cook
Writer
Peter Brunette
Writer
Brigitte Weeks
Writer
Jean Firstenberg
Contributor
Robert De Niro
Editor-in-Chief
Antonio Chemasi
Senior Editor
Victoria Venker
Senior Editor
Thomas Wiener
Assistant Editor
Peter Craig
Publisher
Tod Herbers

ID Numbers

Open Library
OL26204839M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B00C3XV7A4

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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Download catalog record: RDF / JSON / OPDS | Wikipedia citation
December 5, 2016 Edited by Vinnie Rattollee formatting correction
December 5, 2016 Edited by Vinnie Rattollee Table of contents, credits, edition, other
December 5, 2016 Edited by Vinnie Rattollee Added new cover
December 5, 2016 Created by Vinnie Rattollee Added new book.