An edition of American Film (1975)

American Film, Volume IV, Number 1

October 1978

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Last edited by Vinnie Rattollee
December 3, 2016 | History
An edition of American Film (1975)

American Film, Volume IV, Number 1

October 1978

  • 0 Ratings
  • 27 Want to read
  • 2 Currently reading
  • 0 Have read

Cover photo of Isabelle Adjani in Werner Herzog's version of F.W. Mernau's classic "Nosferatu." $1.75 cover price. The page count jumps to 84 again.

Publish Date
Language
English
Pages
84

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Previews available in: English

Edition Availability
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Book Details


Table of Contents

Advertisement. "Girl Friends" starring Melanie Mayron Page 1
The Editing Room. Page 4
Hollis Alpert
Comment. An argument for specialist critics. Page 6
Hollis Alpert
Lehman at Large: Logan's Run. He was over thirty in Hollywood and stalked by terror Page 8
Ernest Lehman
Letters. Page 12
About Television: Congress, the FCC, and the Public Interest. Whose interest is served by a new communications act?
Martin Mayer
Avildsen and the Big City. John Avildsen directs a love letter to New York. Page 18
John Culhane
The Liberal Education of Dick Cavett. The likable talker has a new home, PBS. Page 24
Robert Sklar
Dracula in Delft. A bold new "Nosferatu" from Werner Herzog. Page 32
Nigel Andrews
Dialogue on Film: Frank Capra. The acclaimed director of "Mr. Smith Goes to Washington" recalls early days, his best films, and Harry Cohn. Page 39
Television and Adolescents: A Teacher's View. How television shapes their tastes. Page 52
Richard A. Hawley
Can Charles Ferris Save the FCC?. Critics are dubious, the new chairman optimistic. Page 57
Richard P. Adler
About All These Women... What's so new about today's female stars? Page 62
Andrew Sarris
Explorations: It's All Perfectly Natural. In the insect world with cinematographer Kjell Sandved Page 66
Jake Page
Take Two. A critic reassesses "The 5,000 Fingers of Dr. T." Page 69
Jonathan Rosenbaum
Books. Reviews.
Chris Steinbrunner. "The Detectives in Hollywood" by Jon Tuska
Michael Wood. "André Bazin" by Dudley Andrew and "Orson Welles: A Critical View" by André Bazin.
Brigitte Weeks. "Nostalgia Isn't What It Used to Be" by Simone Signoret.
Sam Kula. "John Grierson: Film Master" by James Beveridge
AFI News. Page 81
edited by Sue Donoghue
Periodicals. Page 84

Edition Notes

Series
The Journal of the Film and Television Arts
Copyright Date
1978

Contributors

Editor
Hollis Alpert
Contributor
John Culhane
Contributor
Robert Sklar
Contributor
Nigel Andrews
Contributor
Richard A. Hawley
Contributor
Richard P. Adler
Contributor
Andrew Sarris
Contributor
Ernest Lehman
Contributor
Martin Mayer
Contributor
Jake Page
Contributor
Jonathan Rosenbaum
Contributor
Chris Steinbrunner
Contributor
Michael Wood
Contributor
Brigitte Weeks
Contributor
Sam Kula
Contributor
Sue Donoghue

The Physical Object

Format
Magazine
Number of pages
84

ID Numbers

Open Library
OL26202627M
OCLC/WorldCat
2246336
Amazon ID (ASIN)
B005XB76T4

Work Description

"American Film" is a magazine published by The American Film Institute from 1975-1992. 10 issues were published yearly, with 166 issues in total. Originally subtitled "The Journal of the Film and Television Arts" the highbrow magazine initially focused on film classics but the focus soon shifted to contemporary movies. Countless people associated with the film industry contributed articles and columns, including Francois Truffaut, Ernest Lehman, Leonard Maltin, Roger Ebert, Roger Greenspun, Larry McMurty, and others.

In addition to the information about movies and television, the journal offers an insightful view on the home video industry, chronicling the introductions of VHS, Beta, Videodisc and laserdisc and continuing through the VHS boom in the early '90s when the magazine folded. In October 1979, they introduced "The Video Scene," a multi-column section centered on home video, punctuated with ads and printed on a different paper stock. Ads for videotapes began to surface quickly during the run of the magazine and then exploded, with the first major ad being for The Video Club of America's release of "The Sound of Music" in the May 1979 issue.

AFI struggled in the publishing market so the magazine went through a vast array of changes over the years. Early issues were black-and-white, ad-free, with a 16-page card-stock centerfold for their "Dialogue on Film" column, which featured transcripts of Q&A discussions with film legends. Beginning with the April 1978 issue, the publishers switched to a cheaper paper stock. By 1978, they began to become overrun with advertisements and in December, they added color spreads, predominantly for noteworthy new films - though by the early 1980s they were publishing full-color issues. In 1988, the magazine was sold to BPI Communications, and the following year the entire format was changed to glossy, oversized issues. In 1992, the magazine abruptly ceased publication.

In April 2012, the magazine was revived as a monthly digital e-zine, which ran until October 2014, with a total of 31 issues.

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December 3, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Table of contents, other
November 28, 2016 Edited by Vinnie Rattollee Edited without comment.
November 28, 2016 Edited by Vinnie Rattollee Added new cover
November 28, 2016 Created by Vinnie Rattollee Added new book.