An edition of Our musicals, ourselves (2003)

Our musicals, ourselves

a social history of the American musica theater

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Last edited by MARC Bot
August 30, 2024 | History
An edition of Our musicals, ourselves (2003)

Our musicals, ourselves

a social history of the American musica theater

  • 0 Ratings
  • 2 Want to read
  • 0 Currently reading
  • 0 Have read

"Our Musicals, Ourselves is the first full-scale social history of the American musical theatre from the imported Gilbert and Sullivan comic operas of the late nineteenth century to such recent musicals as The Producers and Urinetown. While many aficionados of the Broadway musical associate the genre only with diversionary shows like The Music Man or My Fair Lady, John Bush Jones singles out musicals for their social relevance. He is interested in how they engage, directly or metaphorically, contemporary politics and culture."--Jacket.

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Previews available in: English

Edition Availability
Cover of: Our Musicals, Ourselves
Our Musicals, Ourselves: A Social History of the American Musical Theatre
Apr 17, 2011, Brandeis
digital
Cover of: Our Musicals, Ourselves
Our Musicals, Ourselves
2011, Brandeis University Press
in English
Cover of: Our Musicals, Ourselves
Our Musicals, Ourselves: A Social History of the American Musical Theater
January 1, 2004, Brandeis University Press
Paperback in English - New Ed edition
Cover of: Our Musicals, Ourselves
Our Musicals, Ourselves: A Social History of the American Musical Theater
April 1, 2003, Brandeis
Hardcover in English - 1st edition
Cover of: Our musicals, ourselves
Our musicals, ourselves: a social history of the American musica theater
2003, Brandeis University Press, published by University Press of New England
in English
Cover of: Our musicals, ourselves
Our musicals, ourselves: a social history of the American musical theatre
2003, Brandeis University Press, published by University Press of New England
in English - 1st Brandeis/University Press of New England pbk. ed.

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Book Details


Table of Contents

Patriotism, xenophobia, and World War I
The musicals of the roaring twenties
Coping with Depression
World War II and the Rodgers and Hammerstein years
From isolationism to idealism in the Cold War years
Black and Jewish musicals since the 1960s
Issue-driven musicals of the turbulent years
Fragmented society, fragmented musicals
A recycled culture, nostalgia, and spectacle
New voices, new perspectives.

Edition Notes

Includes bibliographical references (p. [375]-390) and index.

Published in
Hanover

Classifications

Dewey Decimal Class
782.1/4/0973
Library of Congress
ML1711 .J65 2003, ML1711.J65 2003

The Physical Object

Pagination
xii, 411 p. ;
Number of pages
411

ID Numbers

Open Library
OL18387237M
ISBN 10
1584653116
LCCN
2003000240
OCLC/WorldCat
52379992, 51342643
Library Thing
231808
Goodreads
7294772

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History

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August 30, 2024 Edited by MARC Bot import existing book
March 8, 2023 Edited by MARC Bot import existing book
January 6, 2023 Edited by MARC Bot import existing book
December 7, 2020 Edited by MARC Bot import existing book
October 16, 2008 Created by ImportBot Imported from Oregon Libraries MARC record