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Modernism has long been seen as either a symptom of decadence or a sign of emancipation. Vivian Heller argues that Joyce's writing cannot be categorized as either decadent or emancipatory because it is predicated on the dialectical intimacy of these two terms.
Heller relies on Joyce's changing use of epiphany to trace the arc of his development, focusing on the negative epiphanies of Dubliners, the relativistic epiphanies of A Portrait of the Artist as a Young Man, and the retrospective epiphanies of Ulysses.
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Previews available in: English
Subjects
Politics and literature, Decadence in literature, Decadence (Literary movement), Political and social views, Modernism (Literature), Liberty in literature, In literature, History, Joyce, james, 1882-1941, Ireland, in literaturePeople
James Joyce (1882-1941)Places
Dublin (Ireland), IrelandTimes
20th centuryShowing 1 featured edition. View all 1 editions?
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Joyce, decadence, and emancipation: Vivian Heller.
1995, University of Illinois Press
in English
0252064852 9780252064852
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Edition Notes
Includes bibliographical references (p. [177]-185) and index.
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- Created April 1, 2008
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