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He's back. Berlin, Summer 2011. Adolf Hitler wakes up on a patch of ground, alive and well. Things have changed - no Eva Braun, no Nazi party, no war. Hitler barely recognizes his beloved Fatherland, filled with immigrants and run by a woman. And he's führious. People certainly recognize him, albeit as a flawless impersonator who refuses to break character. The unthinkable, the inevitable happens, and the ranting Hitler goes viral, becomes a Youtube star, gets his own T.V. show, and people begin to listen. But the Führer has another programme with even greater ambition - to set the country he finds a shambles back to rights.
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Previews available in: English Spanish French German
Subjects
Satire, Fiction, History, Social life and customs, Manners and customs, Influence, Influence (Literary, artistic, etc.), Fiction, satire, Germany, fiction, New York Times reviewed, Fiction, historical, Fiction, historical, general, Politics and government, German Political satire, German Social satire, Humorous stories, Romans, nouvelles, Conditions socialesPeople
Adolf Hitler (1889-1945)Times
21st century, 21e siècleShowing 9 featured editions. View all 31 editions?
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Ha vuelto
2014, Editorial Planeta Colombiana S.A.
in Spanish
- Segunda edición.
9584236458 9789584236456
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Book Details
Edition Notes
Originally published in Germany with the title Er ist wieder da by Eichborn - a division of Bastei Lübbe Publishing Group, Cologne, 2012.
Translated from the German.
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Work Description
Frühjahr 2011. Adolf Hitler erwacht auf einem leeren Grundstück in Berlin-Mitte. Ohne Krieg, ohne Partei, ohne Eva. Im tiefsten Frieden, unter Tausenden von Ausländern und Angela Merkel. 66 Jahre nach seinem vermeintlichen Ende strandet der Gröfaz in der Gegenwart und startet gegen jegliche Wahrscheinlichkeit eine neue Karriere - im Fernsehen. Dieser Hitler ist keine Witzfigur und gerade deshalb erschreckend real. Und das Land, auf das er trifft, ist es auch: zynisch, hemmungslos erfolgsgeil und auch trotz Jahrzehnten deutscher Demokratie vollkommen chancenlos gegenüber dem Demagogen und der Sucht nach Quoten, Klicks und "Gefällt mir"-Buttons. Eine Persiflage? Eine Satire? Polit-Comedy? All das und mehr: Timur Vermes' Romandebüt ist ein literarisches Kabinettstück erster Güte.
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