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The first surrealist romance, the principle narrative of Nadja is an account of the author's relationship with a girl in the city of Paris. The first-person narrative is supplemented by forty-four photographs of various surreal people, places, and objects which the author visits or is haunted by in Nadjar's presence, and which inspire him to meditate on their reality or lack of it.
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Previews available in: English French
Subjects
Continental european fiction (fictional works by one author), Man-woman relationship, Imaginary companions, Fiction, surrealisme, Surrealism (Literature), Surrealism, Surrealism--fiction, Imaginary companions--france--paris--fiction, Pq2603.r35 n313 1999, 843.912, Crime prevention, Social conditionsShowing 4 featured editions. View all 39 editions?
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Book Details
Edition Notes
Penguin Twentieth Century Classics
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First Sentence
"Who am I? If this once I were to rely on a proverb, then perhaps everything would amount to knowing whom I "haunt.""
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