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"Scholars of Italian art often overlook the mid-fourteenth-century Allegory of Mercy fresco inside the former headquarters of the Company of Santa Maria dell Misercordia, located in the heart of Florence. In The Allegory of Mercy at the Misericordia in Florence, author William R. Levin provides the first complete analysis of the fresco, one of the richest artworks of its era in what it reveals about the society that engendered it and the organization that commissioned it." "Intended as both didactic and inspirational, the Allegory of Mercy illustrates that the Misercordia provided a host of services to needy Florentines from as early as the Trecento, offering members and benefactors the opportunity to aid their neighbors while ensuring salvation for themselves."--BOOK JACKET.
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Subjects
Allegories, Charity in art, Christian art and symbolism, Confraternities, Italian Mural painting and decoration, Loggia del Bigallo, Madonna della Misericordia (Fresco), Misericordia di Firenze, Renaissance Mural painting and decoration, Mural painting and decoration, History, Art, Art and society, Arciconfraternita di Santa Maria della Misericordia (Florence, Italy)Times
Medieval, 500-1500Edition | Availability |
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The Allegory of Mercy at the Misericordia in Florence: historiography, context, iconography, and the documentation of confraternal charity in the Trecento
2004, University Press of America
in English
0761827684 9780761827689
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Edition Notes
Includes bibliographical references (p. [163]-172) and index.
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The Physical Object
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