The material, the real, and the fractured self

subjectivity and representation from Rimbaud to Réda

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Last edited by MARC Bot
August 11, 2024 | History

The material, the real, and the fractured self

subjectivity and representation from Rimbaud to Réda

"In The Material, the Real, and the Fractured Self, Susan Harrow explores the interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apolinaire, Francis Ponge, and Jacques Reda." "Harrow addresses the widely perceived marginalization of poetry in the writing/theory debate, demonstrating that the emergence of a self at once shaped by and straining against material, historical, subjective, and cultural impediments reveals fertile relations between theory and poetry."--BOOK JACKET.

Publish Date
Language
English
Pages
269

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Previews available in: English

Book Details


Edition Notes

Includes bibliographical references (p. [257]-262) and index.

Published in
Toronto
Series
University of Toronto romance series

Classifications

Dewey Decimal Class
841/.9109112
Library of Congress
PQ441 .H37 2004, PQ441.H37 2004

The Physical Object

Pagination
269 p. :
Number of pages
269

Edition Identifiers

Open Library
OL3378626M
ISBN 10
0802087221
LCCN
2004484511
OCLC/WorldCat
54415573
Goodreads
791102

Work Identifiers

Work ID
OL5797660W

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