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From the late 1950s until the 1980s, the German-born Venezuelan artist Gego (Gertrud Goldschmidt) made drawings, prints, three-dimensional works, hanging-net pieces (reticulareas), and wire constructions (drawings without paper) of extraordinary quality. Taken as a whole, these works illustrate the issue at the core of her production: the liberation of line from volume and form into space. Though little known outside of Latin America, Gego's work enjoyed a dialogue with twentieth-century artists and movements active not only in Venezuela, but also worldwide. In a series of essays examining her art in relation to Modernism, Informalism, kinetic art, and other tendencies, this volume--the second in the MFAH International Center for the Arts of the Americas series--situates Gego in her international context.
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Edition | Availability |
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1
Questioning the Line: Gego in Context (International Center for the Arts of the Americas 2)
September 1, 2003, The Museum of Fine Arts, Houston
Paperback
in English and Spanish
0890901198 9780890901199
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2
Questioning the line: Gego in context
2002, Museum of Fine Arts, Houston
in English
0890901198 9780890901199
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Feedback?September 18, 2024 | Edited by MARC Bot | import existing book |
February 25, 2022 | Edited by ImportBot | import existing book |
December 5, 2010 | Edited by Open Library Bot | Added subjects from MARC records. |
April 28, 2010 | Edited by Open Library Bot | Linked existing covers to the work. |
December 10, 2009 | Created by WorkBot | add works page |