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In this book, Sean Martin considers the whole of Andrei Tarkovsky’s oeuvre, from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky’s writings, paintings and photographs. Martin also seeks to demystify Tarkovsky as a ‘difficult’ director, whilst also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub ‘imprinted’ or ‘sculpted’ time, and to make a case for Tarkovsky’s position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time.
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Feedback?August 2, 2020 | Edited by ImportBot | import existing book |
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July 22, 2019 | Edited by MARC Bot | remove fake subjects |
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December 14, 2009 | Created by WorkBot | add works page |