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In this book, Sean Martin considers the whole of Andrei Tarkovsky’s oeuvre, from the classic student film The Steamroller and the Violin, across the full-length films, to the later stage works and Tarkovsky’s writings, paintings and photographs. Martin also seeks to demystify Tarkovsky as a ‘difficult’ director, whilst also celebrating his radical aesthetic of long takes and tracking shots, which Tarkovsky was to dub ‘imprinted’ or ‘sculpted’ time, and to make a case for Tarkovsky’s position not just as an important filmmaker, but also as an artist who speaks directly about the most important spiritual issues of our time.
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- Created December 19, 2008
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August 19, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
December 15, 2009 | Edited by WorkBot | link works |
December 19, 2008 | Created by ImportBot | Imported from University of Toronto MARC record |