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The Last Avant-Garde is a richly detailed portrait of one of the most significant movements in American arts and letters. Covering the years 1948 to 1966, the book focuses on four fast friends - John Ashbery, Frank O'Hara, Kenneth Koch, and James Schuyler - the poets at the center of the New York School. They were both acolytes and catalysts.
Enthralled with the bold experiments of painters like Willem de Kooning and Jackson Pollock, each came to New York filled with the ideas that would revolutionize poetry and greatly influence writers, visual artists, musicians, and composers up to the present day.
Lehman brings to life the exhilarating creative ferment of the time and place, the relationship of great friendship to great art, and the powerful influence a group of visual artists, especially Jane Freilicher, Larry Rivers, and Fairfield Porter, had on the literary efforts of the New York School.
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Previews available in: English
Subjects
History, American poetry, Intellectual life, City and town life in literature, History and criticism, Avant-garde (Aesthetics), American Experimental poetry, Poets, biography, Homes and haunts, American Poets, New York Times reviewed, Poésie américaine, Histoire et critique, Poètes américains, Résidences et lieux familiers, Poésie expérimentale américaine, Vie urbaine dans la littérature, American poetry, history and criticism, 20th century, New york (n.y.), poetryPeople
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20th centuryShowing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
The Last Avant-Garde: The Making of the New York School of Poets
November 9, 1999, Anchor
in English
0385495331 9780385495332
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2
The last avant-garde: the making of the New York School of Poets
1998, Doubleday
in English
- 1st ed.
038547542X 9780385475426
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Book Details
Edition Notes
Includes bibliographical references (p. 409-414) and index.
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Work Description
A landmark work of cultural history--now in paperback--by one of our best critics and chroniclers: the story of how four young poets reinvented literature and turned New York into the art capital of the world.
Greenwich Village, New York, circa 1951. Every night, at a rundown tavern with a magnificent bar called the Cedar Tavern, an extraordinary group or painters, writers, poets, and hangers-on arrive to drink, argue, tell jokes, fight, start affairs, and bang out a powerful new aesthetic. Their style is playful, irreverent, tradition-shattering, and brilliant. Out of these friendships, and these conversations, will come the works of art and poetry that will define New York City as the capital of world culture--abstract expressionism and the New York School of Poetry.
A richly detailed portrait of one of the great movements in American arts and letters, The Last Avant-Garde covers the years 1948-1966 and focuses on four fast friends -- the poets Frank O'Hara, James Schuyler, John Ashbery, and Kenneth Koch. Lehman brings to vivid life the extraordinary creative ferment of the time and place, the relationship of great friendship to art, and the powerful influence that a group of visual artisits--especially Jane Freilicher, Larry Rivers, and Fairfield Porter--had on the literary efforts of the New York School.
The Last Avant-Garde is both a definitive and lively view of a quintessentially American aesthetic and an exploration of the dynamics of creativity.
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