An edition of The Forest Lover (2001)

The forest lover

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Last edited by MARC Bot
November 24, 2025 | History
An edition of The Forest Lover (2001)

The forest lover

  • 4 Want to read

Emily has never been satisfied with the pious and rigid world she is expected to fit into, and when her creative talent and independent spirit refuse to be suppressed by her father's wishes that she marry and settle down, she defies her family's better judgement and travels to the wild coast of British Columbia.

Publish Date
Publisher
Viking
Language
English
Pages
333

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Previews available in: English

Edition Availability
Cover of: The Forest Lover
The Forest Lover: A Novel
2005, Penguin Canada
Paperback in English
Cover of: The forest lover
The forest lover
2004, Viking
in English
Cover of: The forest lover
The forest lover
2003, Viking Canada
in English
Cover of: The Forest Lover
The Forest Lover
January 2001, Viking Books
Hardcover in English

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Book Details


Edition Notes

Maps on endpages.

Published in
New York
Genre
Fiction.

Classifications

Dewey Decimal Class
813/.54
Library of Congress
PS3572.R34 F67 2004, PS3572.R34F67 2004

The Physical Object

Pagination
333 p. :
Number of pages
333

Edition Identifiers

Open Library
OL3689568M
ISBN 10
0670032670
LCCN
2003057629
OCLC/WorldCat
52877694
LibraryThing
34983
Goodreads
1292562

Work Identifiers

Work ID
OL40356W

Work Description

Before Georgia O'Keefe redefined the desert landscapes of New Mexico and Frida Kahlo revolutionized the art of self-portraiture, Emily Carr blazed a trail onto the early 20th century art scene with her boldly modern and inventive renditions of the British Columbian landscape. With her uncompromising brushstrokes and against all odds, she was able to capture not only the fading wilderness slowly marred by encroaching industrialization and assimilation, but also the indigenous villages, the tribal peoples, and their dying customs and art forms.

With great detail, Vreeland conveys how Carr overcame self-doubt and grew to believe in her own passion and ability and chose, at no small cost, to live a life less ordinary. From illegal potlatches in tribal communities in the interior and a tryst with a French fur trader to Paris in 1911, where she was part of the birth of modernism and cubism, Carr's story is as arresting and vibrant as her many canvases. Above all, it is the story of a woman who faced hypocrisy and injustice, and was always true to herself and to her art.

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