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In the generic hierarchy of Chinese culture fiction used to occupy a low position. But in early 20th century China fiction became a highly important cultural discourse. This change of cultural status coincided with the emergence of modern Chinese fiction, for which the Western influence used to be held responsible.
The book, however, tries to find the intrinsic cause for this spectacular development while offering a historical analysis of the narrative form of Chinese fiction, traditional or modern, and argues that it is the re-orientation of Chinese culture that served as the motive force for this development.
Never before has Chinese fiction, traditional or modern, been subjected to such an in-depth formalistic-culturological examination, which leads, in this book, to revealing observations about Chinese culture.
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The uneasy narrator: Chinese fiction from the traditional to the modern
1995, Oxford University Press
in English
0197136117 9780197136119
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Book Details
Edition Notes
Includes bibliographical references (p. [283]-294) and index.

