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In Fashioning the Female Subject, Sabine Sielke addresses the often nebulous concept of female subjectivity through a critical analysis of the poetry of Emily Dickinson, Marianne Moore, and Adrienne Rich, each of whom has uniquely fashioned and transformed the female subject over the last 150 years.
Applying the feminist theories of Kristeva, Irigaray, and Cixous, Sielke articulately develops a notion of female subjectivity as an intertextual network, a network whose three historically distinct levels illustrate a clear evolution in the poetics designs of such subjectivity.
Fashioning the Female Subject is a re-reading of American women's poetry, a partial revisioning of French feminist theory, and a reassessment of Adrienne Rich as a central figure in American feminist theory. Offering a revisionary sense of literary history, Sielke's book offers a new model of literary affiliation to readers of poetry, scholars of literary history, feminist critics, and literary theorists alike.
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Subjects
Criticism and interpretation, History, Women and literature, History and criticism, Feminism and literature, Intertextuality, Theory, Feminist poetry, Women authors, Subjectivity in literature, American poetry, Women in literature, American Feminist poetry, Dickinson, emily, 1830-1886, Moore, marianne, 1887-1972, Rich, adrienne, 1929-2012, American poetry, women authorsPlaces
United StatesTimes
20th century, 19th centuryShowing 1 featured edition. View all 1 editions?
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Fashioning the female subject: the intertextual networking of Dickinson, Moore, and Rich
1997, University of Michigan Press
in English
0472107887 9780472107889
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Table of Contents
Edition Notes
Includes bibliographical references (p. 241-256) and index.
Revision of the author's thesis (doctoral)--Freie Universität Berlin, 1992.
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