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This book reveals that James Ensor did not develop his fantastic and grotesque universe of masks and skeletons out of his melancholic soul, but that he re-used and transformed an old image tradition that was collected and published by the French author and art critic Jules Champfleury in his 'History of Caricature'. A second essay analyses how these weird creatures infiltrate the image borders and the frames of Ensor's paintings in order to disturb the 'normal' world.
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Table of Contents
James Ensor's grotesques and the "History of Caricature" by Jules Champfleury
Frame and figure in the work of James Ensor.
Edition Notes
Includes bibliographical references (pages 110-111).
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The Physical Object
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Feedback?December 18, 2022 | Created by MARC Bot | import new book |