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This is the first study of middle-class collection practices in nineteenth-century England. It examines the Victorian art world from the perspective of the businessmen whose successes during the Industrial Revolution caused them to turn to art as a means of carving out an identity of their own that was distinct from the leisured existence of the aristocracy and gentry.
Macleod's analysis of class, motivations, and patterns of consumption among patrons is supplemented by an indispensable appendix of collectors, making this an essential work of reference.
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Art and the Victorian middle class: money and the making of cultural identity
1996, Cambridge University Press
in English
0521550904 9780521550901
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Edition Notes
Includes bibliographical references (p. 490-513) and index.
Includes biographical appendix of 146 collectors.
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