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October 21, 2023 | History
"The essay is rhizomatic: it builds off and shoots out conversations between us every time we read, reread, or write. When we speak back to others we amplify ourselves and get a foothold in an ongoing conversation. How We Speak to One Another collects those conversations, giving context to a genre, deepening the flexibility and vitality of its many forms"--
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How we speak to one another: an Essay Daily reader
2017, Coffee House Press
in English
1566894573 9781566894579
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Table of Contents
Here's how you use the lion mints : an introduction to How We Speak to One Another -- Ander Monson
Invisible engineering : the fine art of revising "The fine art of sighing" -- Marcia Aldrich
On Christ Marker's Sans Soleil -- Kristen Radtke
Majestic ruins : on the work of James Agee -- Robin Helmley
On essays, assays, and Yiyun Li's "Dear friend, from my life I write to you in your life" -- V.V. Ganeshananthan
The assault on prose : John Crowe Ransom, new criticism, and the status of the essay -- Robert Atwan
On Joan Didion, Repo Man, and a '76 Malibu -- Matt Dube
On Collage, Chris Kraus, and misremembered Didion -- Aisha Sabatini Sloan
Looking for Samuel Delany -- T Clutch Fleischmann
Observations about writing memoir in my twenties, thirties, and forties -- Rigoberto González
On the mysterious Leslie Ryan and the structure of a trauma narrative -- Katherine E. Standefer
On Arianne Zwartje's "This suturing of wounds or words" and Kisha Lewellyn Schlegel's "Cannulated screw" -- Julie Lauterbach-Colby
Living within the ellipses : on Ilan Stavan's On Borrowed Words : a Memoir of Language -- César Díaz
On Joan Didion, on the morning after my twenties -- Emily Deprang
On writing young -- Lucas Mann
On losing yourself -- Danica Novgorogoff
Is the essay at the end of time? -- Ken Chen
Email -- from Bonnie J. Rough
On the essential art of failing -- Peter Grandbois
Leaping -- Albert Goldbarth
Julian Barnes brings light to a thanatophobe's conundrum -- Alison Hawthorne Deming
On Tom Junod's "The falling man" -- Steven Church
We sought but couldn't find : coming up empty in David Shields's "Death is the mother of beauty" -- Bethany Maile
Movie quotes as misery : on Claudia Rankine's Don't Let Me Be Lonely -- David Legault
A paperback cabinet of wonder : unlocking the long lyric essay -- Joni Tevis
The essays of Ansel Adams : an allegory -- John D'Agata
10 thoughts on Elision -- Meehan Crist
On Donald Hall's "Out the window" -- Thomas Mira y Lopez
On the virtues of drowning : Lidia Yuknavitch's the Chronology of Water -- Danielle Cadena Deulen
On Hoagland, animal obsession, and the courage of simile -- John T. Price
On David Quammen and writing trout -- Maya L. Kapoor
On long winters, short essays, and a sky that stretches forever -- Chelsea Biondolillo
On Wendell Berry and why I'm not going to buy a smartphone -- Megan Kimble
It is a shaggy world, studded with gardens -- Brian Doyle
Nonfiction like a brick -- Nicole Walker
On the fugue, Alison Bechdel's Are You My Mother?, DFW, and the resistance to the one thing -- Paul Lisicky
On The Squared Circle : Life, Death, and Professional Wrestling by David Shoemaker -- Brian Oliu
On Rick Reilly's "Need a fourth?" from Sports Illustrated, March 31, 1997 -- Pam Houston
On Jim Bouton's Ball Four -- Dave Mondy
On a little-known gem by Max Beerbohm -- Phillip Lopate
On Eliot Weinberger's "Wrens" -- Amy Benson
On Charles Lamb's "New Year's Eve" -- Patrick Madden
On the Book of Days -- Elena Passarello
On the false glint of fool's gold and cliché -- Erin Zweiner
The present of our past: on Alexander Stille -- Patricia Vigerman
A fat man story : on H.L. Mencken's "A neglected anniversary" -- Ander Monson
On endings : all in all, it was a really weird summer -- Ryan van Meter.
Edition Notes
Includes bibliographical references (pages 287-297).
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