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MARC Record from marc_openlibraries_sanfranciscopubliclibrary

Record ID marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:435982651:6255
Source marc_openlibraries_sanfranciscopubliclibrary
Download Link /show-records/marc_openlibraries_sanfranciscopubliclibrary/sfpl_chq_2018_12_24_run05.mrc:435982651:6255?format=raw

LEADER: 06255cam a22005658i 4500
001 945948957
003 OCoLC
005 20170418071531.0
008 160929s2017 mnua b 000 0 eng
010 $a2016027859
020 $a9781566894579$q(paperback)
020 $a1566894573$q(paperback)
035 $a945948957
035 $a(OCoLC)945948957
037 $bConsortium Book Sales & Dist, C/O Perseus Distribution 210 American Dr, Jackson, TN, USA, 38301$nSAN 631-760X
040 $aDLC$beng$erda$cDLC$dBTCTA$dYDXCP$dBDX$dOCLCO$dOCLCA$dOCLCF$dOCLCO$dFM0$dSFR$dUtOrBLW
042 $apcc
043 $an-us---
049 $aSFRA
050 00 $aPS689$b.H69 2017
082 00 $a814/.608$223
092 $a814.608$bH8309
245 00 $aHow we speak to one another :$ban Essay Daily reader /$cedited by Ander Monson & Craig Reinbold.
264 1 $aMinneapolis :$bCoffee House Press,$c2017.
300 $a308 pages :$billustrations (some color) ;$c23 cm
336 $atext$btxt$2rdacontent
337 $aunmediated$bn$2rdamedia
338 $avolume$bnc$2rdacarrier
504 $aIncludes bibliographical references (pages 287-297).
505 00 $tHere's how you use the lion mints : an introduction to How We Speak to One Another /$rAnder Monson --$tInvisible engineering : the fine art of revising "The fine art of sighing" /$rMarcia Aldrich --$tOn Christ Marker's Sans Soleil /$rKristen Radtke --$tMajestic ruins : on the work of James Agee /$rRobin Helmley --$tOn essays, assays, and Yiyun Li's "Dear friend, from my life I write to you in your life" /$rV.V. Ganeshananthan --$tThe assault on prose : John Crowe Ransom, new criticism, and the status of the essay /$rRobert Atwan --$tOn Joan Didion, Repo Man, and a '76 Malibu /$rMatt Dube --$tOn Collage, Chris Kraus, and misremembered Didion /$rAisha Sabatini Sloan --$tLooking for Samuel Delany /$rT Clutch Fleischmann --$tObservations about writing memoir in my twenties, thirties, and forties /$rRigoberto González --$tOn the mysterious Leslie Ryan and the structure of a trauma narrative /$rKatherine E. Standefer --$tOn Arianne Zwartje's "This suturing of wounds or words" and Kisha Lewellyn Schlegel's "Cannulated screw" /$rJulie Lauterbach-Colby --$tLiving within the ellipses : on Ilan Stavan's On Borrowed Words : a Memoir of Language /$rCésar Díaz --$tOn Joan Didion, on the morning after my twenties /$rEmily Deprang --$tOn writing young /$rLucas Mann --$tOn losing yourself /$rDanica Novgorogoff --$tIs the essay at the end of time? /$rKen Chen --$tEmail /$rfrom Bonnie J. Rough --$tOn the essential art of failing /$rPeter Grandbois --$tLeaping /$rAlbert Goldbarth --$tJulian Barnes brings light to a thanatophobe's conundrum /$rAlison Hawthorne Deming --$tOn Tom Junod's "The falling man" /$rSteven Church --$tWe sought but couldn't find : coming up empty in David Shields's "Death is the mother of beauty" /$rBethany Maile --$tMovie quotes as misery : on Claudia Rankine's Don't Let Me Be Lonely /$rDavid Legault --$tA paperback cabinet of wonder : unlocking the long lyric essay /$rJoni Tevis --$tThe essays of Ansel Adams : an allegory /$rJohn D'Agata --$t10 thoughts on Elision /$rMeehan Crist --$tOn Donald Hall's "Out the window" /$rThomas Mira y Lopez --$tOn the virtues of drowning : Lidia Yuknavitch's the Chronology of Water /$rDanielle Cadena Deulen --$tOn Hoagland, animal obsession, and the courage of simile /$rJohn T. Price --$tOn David Quammen and writing trout /$rMaya L. Kapoor --$tOn long winters, short essays, and a sky that stretches forever /$rChelsea Biondolillo --$tOn Wendell Berry and why I'm not going to buy a smartphone /$rMegan Kimble --$tIt is a shaggy world, studded with gardens /$rBrian Doyle --$tNonfiction like a brick /$rNicole Walker --$tOn the fugue, Alison Bechdel's Are You My Mother?, DFW, and the resistance to the one thing /$rPaul Lisicky --$tOn The Squared Circle : Life, Death, and Professional Wrestling by David Shoemaker /$rBrian Oliu --$tOn Rick Reilly's "Need a fourth?" from Sports Illustrated, March 31, 1997 /$rPam Houston --$tOn Jim Bouton's Ball Four /$rDave Mondy --$tOn a little-known gem by Max Beerbohm /$rPhillip Lopate --$tOn Eliot Weinberger's "Wrens" /$rAmy Benson --$tOn Charles Lamb's "New Year's Eve" /$rPatrick Madden --$tOn the Book of Days /$rElena Passarello --$tOn the false glint of fool's gold and cliché /$rErin Zweiner --$tThe present of our past: on Alexander Stille /$rPatricia Vigerman --$tA fat man story : on H.L. Mencken's "A neglected anniversary" /$rAnder Monson --$tOn endings : all in all, it was a really weird summer /$rRyan van Meter.
520 $a"The essay is rhizomatic: it builds off and shoots out conversations between us every time we read, reread, or write. When we speak back to others we amplify ourselves and get a foothold in an ongoing conversation. How We Speak to One Another collects those conversations, giving context to a genre, deepening the flexibility and vitality of its many forms"--$cProvided by publisher.
650 0 $aAmerican essays$y21st century.
700 1 $aMonson, Ander,$d1975-$eeditor.
700 1 $aReinbold, Craig,$d1982-$eeditor.
730 0 $aEssay daily (Blog)
907 $a.b33753027$b11-14-18$c02-22-17
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957 00 $aOCLC reclamation of 2017-18
907 $a.b33753027$b04-06-17$c02-22-17
938 $aBaker and Taylor$bBTCP$nBK0018652278
938 $aYBP Library Services$bYANK$n12922608
938 $aBrodart$bBROD$n115529497
956 $aPre-reclamation 001 value: ocn945948957
980 $a0317 sr
998 $a(2)a5$a(3)xgc$a(2)s7$b03-08-17$cm$da$e-$feng$gmnu$h0$i7
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