An edition of The Oxford handbook of music and disability studies
(2016)
The Oxford handbook of music and disability studies
by Blake Howe, Stephanie Jensen-Moulton, Neil William Lerner, and Joseph Nathan Straus
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The Oxford handbook of music and disability studies
2016, Oxford University Press
in English
0199331448 9780199331444
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Table of Contents
Introduction.
Disability studies in music, music in disability studies -- Blake How, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus -- Disability communities.
Toward an ethnographic model of disability in the ethnomusicology of autism -- Michael B. Bakan
Music, intellectual disability, and human flourishing -- Licia Carlson
Imagined hearing : music-making in deaf culture -- Jeannette DiBernardo Jones
Musical expression among deaf and hearing song signers -- Anabel Maler
The politics of sound : music and blindness in France, 1750-1830 -- Ingrid Sykes
"They say we exchanged our eyes for the xylophone" : resisting tropes of disability as spiritual deviance in Birifor music -- Brian Hogan
Understanding is seeing : music analysis and blindness -- Shersten Johnson
Performing disability.
Mechanized bodies : technology and supplements in Björk's electronica -- Jennifer Iverson
Subhuman or superhuman? (Musical) Assistive technology, performance enhancement, and the aesthetic/moral debate -- Laurie Stras
Disabling music performance -- Blake Howe
Musical and bodily difference in Cirque du Soleil -- Stephanie Jensen-Moulton
Punk rock and disability : cripping subculture -- George McKay
Moving experiences : blindness and the performing self in Imre Ungár's Chopin -- Stefan Sunandan Honisch
Stevie Wonder's tactile keyboard mediation, black key compositional development, and the quest for creative autonomy -- Will Fulton
Oh, the stories we tell! Performer-audience-disability -- Michael Beckerman
The dancing ground : embodied knowledge, disability, and visibility in New Orleans second lines -- Daniella Santoro
Race, gender, sexuality.
A cannon-shaped man with an amphibian voice : castrato and disability in eighteenth-century France -- Hedy Law
Sexuality, trauma, and dissociated expression -- Fred Everett Maus
That "weird and wonderful posture" : jump "Jim Crow" and the performance of disability -- Sean Murray
Disabled moves : multidimensional music listening, disturbing/activating differences of identity -- Marianne Kielian-Gilbert
War and trauma.
Disabled Union veterans and the performance of martial begging -- Michael Accinno
"Good bye, old arm" : the domestication of veterans' disabilities in Civil War era popular songs -- Devin Burke
"The absurd disordering of notes" : dysfunctional memory in the post-traumatic music of Ivor Gurney -- Beth Keyes
Vocal ability and musical performances of nuclear damages in the Marshall Islands -- Jessica A. Schwartz
Premodern conceptions.
Lyrical humor(s) in the "fumeur" songs -- Julie Singer
Difference, disability, and composition in the late Middle Ages : of Antonio "Zachara" da Teramo and Francesco "Il Cieco" da Firenze -- Michael Scott Cuthbert
Madness and music as (dis)ability in early modern England -- Samantha Bassler
Saul, David, and music's ideal body -- Blake Howe
The classical tradition.
Narratives of affliction and recovery in Haydn -- Floyd Grave
Music and the labyrinth of melancholy : traditions and paradoxes in C.P.E. Bach and Beethoven -- Elaine Sisman
Musical prosthesis : form, expression, and narrative structure in Beethoven's sonata movements -- Bruce Quaglia
Sounds of mind : music and madness in the popular imagination -- James Deaville
Modernism and after.
Modernist opera's stigmatized subjects -- Sherry D. Lee
Autism and postwar serialism as neurodiverse forms of cultural modernism -- Joseph Straus
Broken facture : representations of disability in the music of Allan Pettersson -- Allen Gimbel
Representing the extraordinary body : musical modernism's aesthetics of disability -- Joseph Straus
"Defamiliarizing the familiar" : Michael Nyman, narrative medicine, and the composition of mental blindness -- Stephanie Jensen-Moulton
Film and musical theatre.
Scene in a new light : monstrous mothers, disabled daughters, and the performance of feminism and disability in The light in the piazza (2005) and Next to normal (2008) -- Ann M. Fox
"Pitiful creature of darkness" : the subhuman and the superhuman in The phantom of the Opera -- Jessica Sternfeld
"Waitin' for the light to shine" : musicals and disability -- Raymond Knapp
Music for Olivier's Richard III : cinematic scoring for the early modern monstrous -- Kendra Preston Leonard
Hearing a site of masculinity in Franz Waxman's score for Pride of the Marines (1945) -- Neil Lerner.
Edition Notes
"About the companion website": page xix.
Includes bibliographical references and index.
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