An edition of How to see (2016)

How to see

looking, talking, and thinking about art

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by

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Cover of: How to see by David Salle
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August 7, 2021 | History
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An edition of How to see (2016)

How to see

looking, talking, and thinking about art

First Edition.

by

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

How does art work? How does it move us, inform us, challenge us? Internationally renowned painter David Salle's incisive essay collection illuminates the work of many of the most influential artists of the twentieth century. Engaging with a wide range of Salle's friends and contemporaries-from painters to conceptual artists such as Jeff Koons, John Baldessari, Roy Lichtenstein, and Alex Katz, among others- 'How to See' explores not only the multilayered personalities of the artists themselves but also the distinctive character of their oeuvres. Salle writes with humor and verve, replacing the jargon of art theory with precise and evocative descriptions that help the reader develop a personal and intuitive engagement with art. The result: a master class on 'how to see' with an artist's eye.

Publish Date
Language
English
Pages
271

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Previews available in: English

Subjects
Modern Art, Art appreciation, Art, modern, 20th century, Art, modern, 21st century, New York Times reviewed
Times
20th century, 21st century

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Cover of: How to see
How to see: looking, talking, and thinking about art
2016
in English - First Edition.
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Book Details

Table of Contents

How to give form to an idea. Alex Katz: the how and the what ; Amy Sillman: a modern-day action painter ; Christopher Wool: painting with its own megaphone ; The German miracle: the work of Sigmar Polke ; Robert Gober: the heart is not a metaphor ; Albert Oehlen: the good student ; Dana Schutz: a guy named Frank ; Roy Lichtenstein: change is hard ; The art of childhood: Jeff Koons at the Whitney ; John Baldessari's movie script series ; The success gene: Wade Guyton and Rosemarie Trockel
Being an artist. Vito Acconci: the body artist ; The Petite cinema of John Baldessari ; Karole Armitage and the art of collaboration ; The camera blinks ; Old guys painting ; The grapplers: Marsden Hartley, Philip Guston, and Clyfford Still ; Urs Fischer: waste management ; Jack Goldstein: clinging to the life raft ; Sad clown: the art of Mike Kelley ; Frank Stella at the Whitney ; Provincialism without a capital: the art of Thomas Houseago ; Frederic Tuten: the art of appropriation
Art in the world. André Derain and Courbet's palette ; Picabia, c'est moi ; Baby's giant bean ; Lovely music: the art of Barbara Bloom ; Structure rising ; Piero della Francesca
Pedagogy and polemics. The '80s
what were they good for? A lecture delivered at the Milwaukee Museum of Art ; A talk for the first day of class ; Art is not a popularity contest: a commencement address given at the new York Academy of Art, 2011 ; Questions without answers for John Baldessari.

Edition Notes

Includes bibliographical references.

Copyright Date
2016

Classifications

Dewey Decimal Class
709.04
Library of Congress
N6490 .S178 2016, N6490.S178 2016

The Physical Object

Pagination
viii, 271 pages
Number of pages
271

ID Numbers

Open Library
OL26885957M
Internet Archive
howtoseelookingt0000sall
ISBN 10
0393248135
ISBN 13
9780393248135
LCCN
2016025215
OCLC/WorldCat
937452554

Source records

marc_openlibraries_phillipsacademy MARC record
marc_openlibraries_sanfranciscopubliclibrary MARC record
Internet Archive item record
Better World Books record
marc_columbia MARC record
Promise Item
Promise Item

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August 7, 2021 Edited by New York Times Bestsellers Bot Add NYT review links
August 5, 2020 Edited by ImportBot import existing book
May 15, 2019 Created by MARC Bot import new book