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Table of Contents
The material heterogeneity of recorded sound ; Theoretical perspectives. Four and a half film fallacies ; Sound space
Page Rick Altman
Reading, writing, and representing sound
Page James Lastra
"She sang live, but the microphone was turned off" : the live, the recorded, and the subject of representation
Page Steve Wurtzler
Wasted words
Page Michel Chion
Historical speculations. Sound/history
Page Rick Altman
Historical and theoretical issues in the coming of recorded sound to the cinema
Page Alan Williams
Translating America : the Hollywood multilinguals 1929-1933
Page Nataša Ďurovičová -
1950s magnetic sound : the frozen revolution
Page John Belton
Neglected domains. Sound's dark corners
Page Rick Altman
Women's voices in third world cinema
Page Amy Lawrence
The sound of early Warner Bros. cartoons
Page Scott Curtis
Imagining the sound(s) of Shakespeare : film sound and adaptation
Page Mary Pat Klimek
Conventions of sound in documentary
Page Jeffrey K. Ruoff
And then there was sound : the films of Andrei Tarkovsky
Page Andrea Truppin
A baker's dozen of new terms for sound analysis
Page Rick Altman
Edition Notes
Includes bibliographical references (p. 271-282) and index.
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June 13, 2014 | Created by LeadSongDog | Edited without comment. |