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Table of Contents
Foreword: why do we turn to Eastwood now? / Drucilla Cornell
Introduction: what is past, or passing, or to come / John M. Gourlie and Leonard Engel
"Landscape as moral destiny": mythic reinvention from Rowdy Yates to The stranger / Robert Smart
Thoroughly modern Eastwood: male/female power relations in Tthe beguiled and Play misty for me / Brett Westbrook
Clintus and Siegelini: "we've got a system. not much, but we're fond of it" / Mike Smrtic and Matt Wanat
Rawhide to Pale rider: the maturation of Clint Eastwood / Edward Rielly
Eastwood's treatment of the life of creativity and performance in Bronco Billy, Honkytonk man, White hunter black heart, and Bird / Dennis Rothermel
"You can't hunt alone": White hunter black heart / Richard Hutson
The end of history and America first: how the 1990s revitalized Clint Eastwood / Craig Rinne
"A man of notoriously vicious and intemperate disposition": western noir and the tenderfoot's revenge in Unforgiven / Stanley Orr
A good vintage or damaged goods? Clint Eastwood and aging in Hollywood film / Philippa Gates
Space, pace, and southern gentility in Midnight in the garden of good and evil / Brad Klypchak
Mystic river as a tragic action / Robert Merrill and John L. Simons
Lies of our fathers: mythology and artifice in Eastwood's cinema / William Beard
Eastwood's Flags of our fathers and Letters from Iwo Jima: the silence of heroes and the voice of history / John M. Gourlie
Gran Torino: showdown in Detroit, shrimp cowboys, and a new mythology / John M. Gourlie and Leonard Engel
Invictus: the master craftsman as hagiographer / Raymond Foery
Hereafter: dreaming beyond our philosophies / John M. Gourlie
Citizen Hoover: Clint Eastwood's J. Edgar / Kathleen Moran and Richard Hutson
Filmography.
Edition Notes
A companion to Engel's previous work, Clint Eastwood, actor and director: new perspectives, this volume includes some of the films produced after the first volume was published.
Includes filmography and index.
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