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"Toward a General Theory of Acting explores the actors art through the lens of Dynamic Systems Theory and recent findings in the Cognitive Sciences. An analysis of different theories of acting in the West from Stanislavski to Lecoq is followed by an in depth discussion of technique, improvisation, and creating a score. In the final chapter, the focus shifts to how these three are interwoven when the actor steps in front of an audience, whether performing realist, non-realist, or postdramatic theatre. Far from using the sciences to reduce acting to a formula, Lutterbie celebrates the mystery of the creative process"--
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Toward a general theory of acting: cognitive science and performance
2011, Palgrave Macmillan
in English
- 1st ed.
0230113354 9780230113350
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Includes bibliographical references and index.
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