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Subjects
Art, Technique, Congresses, Art and technologyShowing 1 featured edition. View all 1 editions?
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Sources and serendipity: testimonies of artists' practice
2009, Archetype
in English
1904982522 9781904982524
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Book Details
Table of Contents
Virtues and vices in late medieval art productions: the painter's progress to hell -- Manfred Lautenschlager
Codicological indicators of practical medieval artists' recipes -- Mark Clarke
Impossible recipes -- Spike Bucklow
Romanian handbooks on manuscript illumination in the 18th century -- Marta Ursescu and Sorin Ciovica
Art for war : washing materials and techniques in Spanish military mapmaking -- Stefanos Kroustallis
Copper pigments in medieval times : green, blue, greenish-blue or bluish-green? -- Catarina Miguel, Ana Claro, João A. Lopes and Maria João Melo
Documentary sources for the use of moulds in the production of tin relief : cause and effect -- Jilleen Nadolny
Writing recipes for non-specialists c.1300 : the Anglo-Latin Secretum philosophorum, Glasgow MS Hunterian 110 -- Mark Clarke
Comparative analysis of painting recipes : a new contribution to the study of the texts of the Strasbourg family -- Sylvie Neven
Images of copper engravers and plate printers in their workshops 1545-1645 : 'One picture tells more than a thousand words' -- Ad Stijnman
Fine art materials in Vigani's cabinet (1704) at Queens' College, Cambridge -- Lisa Wagner
The master's own hand? Contribution to the study of Rubens' retouching of monumental formats -- Hélène Dubios
Oudry's painted menagerie: a technical study with reference to the artist's lectures on painting technique -- Alan Phenix, Tiarna Doherty, Anna Schönemann and Adriana Rizzo
Studying the artistic process : Kupelwieser's fresco series History of Austria -- Sigrid Eyb-Green, Wolfgang Baatz and Werner Kitlitschka
En plein soleil : Whistler, nature and memory -- Erma Hermens and Margaret F. MacDonald
'To acquire a good name' : specimens of 19th-century Persian tile-making from the Tehran workshop of the master potter Ali Muhammad Isfahani -- Lore Troalen, Ina Reiche, Stefan Röhrs, Boris Pretzel, Lucia Burgio, Bhavesh Shah, Stéphane Peschard, Clotilde Boust, Jim Tate, Graham Martin and Friederike Voigt
Á la recherche du pigment perdu : a project on less well-known 19th-century pigments -- Hartmut Kutzke and Doris Oltrogge
Technique and process in the papers of David Smith -- Richard Mullholland
Challenging the material : the artist's interview as a documentary source in the 1980s and 1990s -- Paivi Kyllonen-Kunnas
Study of materials and techniques used in a 15th-century Romanian illuminated manuscript -- Ileana Zizi Balta, Gheorghe Niculescu, Irina Petroviciu, Bruno Brunetti, Laura Cartechini, Francesca Rosi, Brenda Doherty, Alessandro Sassolini, Mihai Lupu and Ileana Cretu
Tracing the history of wall paintings through visual documents : the vault painting of the main hall at Verdala Palace, Malta -- Theodora Fardi, Roberta De Angelis, Bernadine Scicluna and Daniel Vella
Study of a Portuguese 18th-century manuscript -- Ana Freitas, Ana Claro, Maria João Melo, Conceição Casanova and Laura Moura
De/re-constructing Turner for research projects at Tate -- Joyce H. Townsend, Jacob Thomas, Charlotte Caspers, Monserrat Pis Marcos, Anna Brookes, Bronwyn Ormsby, Stephen Hackney and Andrew Lerwill
The archives of Blockx, an Antwerp family of chemist-colourmen, founded 1865 -- Brian Dudley Barrett.
Edition Notes
"Proceedings of the third symposium of the Art Technological Source Research Working Group."
Selected conference papers.
Includes bibliographical references.
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