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Peony Pavilion onstage: four centuries in the career of a Chinese drama
2002, Center for Chinese Studies, University of Michigan
in English
0892641363 9780892641369
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Book Details
Table of Contents
Mudan ting and the theatrical culture of Kun opera -- -- The
musically grounded adaptations of Zang Maoxun and Feng Menglong --
Containment of imgagery in Fregliu meng --
Mudan ting in a actor-centered environment --
"Elegance and commonness combined" --
Peter Sellar's efforts to reawaken Kun opera --
"To perform 'Chuanqi' we will recreate a Chuangqi" --
"High brow/lowbrow" in Kun opera.
Edition Notes
Includes bibliographical references (p. 389-408) and index.
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