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The most famous book on politics ever written, The Prince remains as lively and shocking today as when it was written almost five hundred years ago. Initially denounced as a collection of sinister maxims and a recommendation of tyranny, it has more recently been defended and indeed applauded as the first scientific treatment of politics as it is practiced rather than as it ought to be practiced.
A masterpiece of effective prose, The Prince is at once comic and formidable, imaginative and calculating, fascinating and chilling. Its influence in modern history has been profound, and - often considered to be the first modern book - it was surely a primary text for the modern philosophers who challenged the traditions of ancient and medieval thought and morality.
Mansfield's translation of this classic work, in combination with the new material added for this edition, makes it the definitive version of The Prince, indispensable to scholars, students, and lovers of the dark art of politics.
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The Prince
2013-12-12, CreateSpace Independent Publishing Platform
in English
1494461943 9781494461942
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Includes bibliographical references and index.
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The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by Italian diplomat and political theorist Niccolò Machiavelli as an instruction guide for new princes and royals. The general theme of The Prince is of accepting that the aims of princes – such as glory and survival – can justify the use of immoral means to achieve those ends.
From Machiavelli's correspondence, a version appears to have been distributed in 1513, using a Latin title, De Principatibus (Of Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was carried out with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings".
Although The Prince was written as if it were a traditional work in the mirrors for princes style, it was generally agreed as being especially innovative. This is partly because it was written in the vernacular Italian rather than Latin, a practice that had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.
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