The culture of fin de siècle Vienna continues to fascinate and has been examined at length. There are indeed massive studies of Freud, Mahler, Loos, Klimt, and many other notables from that era. But these studies often downplay the religious dimension of Viennese modernist culture, implying--if not arguing outright--that "modernism" and "religion" are contrary, even hostile, categories. Taking a different tack, Robert Weldon Whalen in Sacred Spring documents the important thesis that Viennese modernism, far from being secular, was in fact a deeply religious movement. In vivid language Whalen examines this era of "being torn apart and rising again," colorfully describing those Viennese who were on the cutting edge of modern art and thought. Though the book focuses on avant-garde art, it also connects materials from journalism, popular culture, and contemporary politics in fascinating ways.