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"In Textual Traffic, S. Shankar clarifies notions of modernity and postmodernity by lucidly examining their relationship to colonialism. In the process, he challenges current emphases in cultural criticism through an exploration of what it means to regard the text as an economy and carries out a detailed scrutiny of travel narratives as a genre.".
"Paying particular attention to representations of Africa and India, Shankar tracks the historical contours of a colonial modernity in a wide variety of travel narratives - African-American and postcolonial, canonical and filmic - drawn from different periods of the twentieth century. Included are explorations of Joseph Conrad's Heart of Darkness, Zora Neale Hurston's Mules and Men, Richard Wright's Black Power, V. S.
Naipaul's India trilogy, and Stephen Spielberg's Indiana Jones and the Temple of Doom."--BOOK JACKET.
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Previews available in: English
Subjects
History and criticism, English literature, American literature, Travelers' writings, American, Colonies in literature, Travelers' writings, English, Modernism (Literature), Travel writing, Postcolonialism, Travel in literature, History, Travelers' writings, history and criticismPlaces
English-speaking countriesTimes
20th centuryShowing 1 featured edition. View all 1 editions?
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Textual traffic: colonialism, modernity, and the economy of the text
2001, State University of New York Press
in English
0791449912 9780791449912
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Edition Notes
Includes bibliographical references (p. 201-215) and index.
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