An edition of Most German of the arts (1998)

Most German of the arts

musicology and society from the Weimar Republic to the end of Hitler's Reich

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Last edited by MARC Bot
July 14, 2024 | History
An edition of Most German of the arts (1998)

Most German of the arts

musicology and society from the Weimar Republic to the end of Hitler's Reich

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis.

She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time.

Publish Date
Language
English
Pages
364

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Previews available in: English

Book Details


Edition Notes

Includes bibliographical references (p. 341-356) and index.

Published in
New Haven

Classifications

Dewey Decimal Class
780/.7/2043
Library of Congress
ML3797 .P67 1998, ML3797.P67 1998

The Physical Object

Pagination
xx, 364 p. ;
Number of pages
364

ID Numbers

Open Library
OL702088M
Internet Archive
mostgermanofarts0000pott
ISBN 10
0300072287
LCCN
97050585
OCLC/WorldCat
38270156
Library Thing
6205055
Goodreads
414230

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July 14, 2024 Edited by MARC Bot import existing book
December 8, 2022 Edited by ImportBot import existing book
October 28, 2021 Edited by ImportBot import existing book
November 26, 2020 Edited by MARC Bot import existing book
April 1, 2008 Created by an anonymous user Imported from Scriblio MARC record