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This book investigates the role played by German musicology in buttressing Nazi institutions and ideology. Pamela Potter examines the social, economic, and intellectual factors that caused some German musical scholars to support with such fervor the ideological aims of the Nazis.
She argues convincingly that many of the ideas that served the regime not only predated Hitler's rise to power but survived the Nazi period to influence the conception of music history - including that of American musical scholarship - down to the present time.
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Most German of the arts: musicology and society from the Weimar Republic to the end of Hitler's Reich
1998, Yale University Press
in English
0300072287 9780300072280
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Includes bibliographical references (p. 341-356) and index.
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