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African and notably sub-Saharan African film's relative eclipse on the international scene in the early twenty-first century does not transcend the growth within the African genre. This time period has seen African cinema forging a new relationship with the real and implementing new aesthetic strategies, as well as the emergence of a post-colonial popular cinema. Drawing on more than 1,500 articles, reviews, and interviews written over the past fifteen years, Olivier Barlet identifies the critical questions brought about by the evolution of African cinema. In the process, he offers us a personal and passionate vision, making this book an indispensable sum of thought that challenges preconceived ideas and enriches an approach to cinema as a critical art.
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Contemporary African cinema
2016, Michigan State University Press
in English
1611862116 9781611862119
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Contemporary African Cinema
2016, Michigan State University Press
in English
1609174976 9781609174972
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Book Details
Table of Contents
Edition Notes
Translated from the French.
Translation of: Cinémas d'Afrique des années 2000.
Includes bibliographical references and index.
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- Created July 19, 2019
- 4 revisions
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December 8, 2023 | Edited by ImportBot | import existing book |
December 19, 2022 | Edited by MARC Bot | import existing book |
September 21, 2020 | Edited by MARC Bot | import existing book |
July 19, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |