Although C. S. Lewis (1898-1963) achieved a level of popularity as a fiction writer, literary scholars have tended to view him as a minor figure working in an insignificant genre - science fiction - or have pigeon-holed him as a Christian apologist and moralist. In C. S. Lewis in Context, Doris T. Myers places his work in the literary milieu of his times and the public context of language rather than in the private realm of personal habits or relationships.

A central debate early in the twentieth century concerned the nature of language: was it primarily objective and empirical, as Charles K. Ogden and Ivor A. Richards argued in The Meaning of Meaning, or essentially metaphorical and impressionistic, the approach of Owen Barfield in Poetic Diction? Lewis espoused the latter theory and integrated it into the purpose and style of his fiction.

Myers therefore argues that he was not "out of touch with his time," as some critics claim, but a twentieth-century literary figure engaged in the issues of his day. By approaching Lewis's fiction through the linguistic controversies of his day, Myers not only develops a new framework within which to evaluate his works, but also clarifies his literary contributions. This valuable study will appeal to literary and linguistic scholars as well as to general enthusiasts of Lewis's fiction.