Marlene Goldman posits intriguing connections between the act of map-making, postmodern theory, and female identity in this study of the experimental works of five Canadian women writers: Intertidal Life by Audrey Thomas, The Biggest Modern Woman of the World by Susan Swan, Ana Historic by Daphne Marlatt, The Whirlpool by Jane Urquhart and the fictions of Aritha van Herk.
Previews available in: English
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Paths of desire: images of exploration and mapping in Canadian women's writing
1997, University of Toronto Press
in English
0802009867 9780802009869
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Includes bibliographical references and index.
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