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John House examines the many facets of the work and what it reveals about Renoir as a man and artist. He asks, "What did it mean to paint a picture like La Promenade in France in 1870, in the final months of Napoleon III's Second Empire?" The reader is invited to look at the canvas - and Impressionism - as a rejection of the idealist world of academic art and as a challenge to contemporary social norms.
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Previews available in: English
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Pierre-Auguste Renoir: La Promenade (Getty Museum Studies on Art)
January 30, 1998, Getty Trust Publications: J. Paul Getty Museum
Paperback
in English
0892363657 9780892363650
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- Created April 29, 2008
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February 22, 2012 | Edited by LC Bot | import new book |
August 9, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 24, 2010 | Edited by Open Library Bot | Fixed duplicate goodreads IDs. |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 29, 2008 | Created by an anonymous user | Imported from amazon.com record |