The concept of shifting, fragmenting, and binding, which stems from Marx's theory of commodity fetishism and which has been used in cultural studies to describe various forms of institutional oppression, is particularly useful in understanding the ways that studios positioned actors as social subjects during Hollywood's Golden Era.
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Last edited by Open Library Bot
April 24, 2010 | History
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1
Stars, the Film Reader (In Focus--Routledge Film Readers)
March 26, 2004, Routledge
in English
0415278929 9780415278928
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2
Stars, the Film Reader (In Focus--Routledge Film Readers)
March 26, 2004, Routledge
in English
0415278937 9780415278935
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3
STARS: THE FILM READER; ED. BY LUCY FISCHER.
Publish date unknown, ROUTLEDGE
in Undetermined
0415278937 9780415278935
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Book Details
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"The concept of shifting, fragmenting, and binding, which stems from Marx's theory of commodity fetishism and which has been used in cultural studies to describe various forms of institutional oppression, is particularly useful in understanding the ways that studios positioned actors as social subjects during Hollywood's Golden Era."
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- Created April 29, 2008
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April 24, 2010 | Edited by Open Library Bot | Fixed duplicate goodreads IDs. |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 14, 2010 | Edited by Open Library Bot | Linked existing covers to the edition. |
December 14, 2009 | Edited by WorkBot | link works |
April 29, 2008 | Created by an anonymous user | Imported from amazon.com record |