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Almost since the first appearance of Plantagenet Palliser in the novels of Anthony Trollope, he has been accompanied by his effervescent wife, Lady Glencora. As the final installment of the Palliser series begins, she has been cruelly taken from him by a fatal illness, just at the moment when their three children are making their way in the world—and finding marriage partners of their own. But the younger generation does not seem to share the Duke’s values. The loves of both his eldest son and his only daughter in particular trouble him deeply, bringing into conflict his intellectual commitments and his emotional attachments.
As with Phineas Finn, there are three notable female characters to add to Trollope’s roster of impressive women: Lady Mabel Grex, the American Isabel Boncassen, and the youngest of the Duke’s children, Lady Mary. The last in particular serves as a foil to the disappointments of Lady Laura Standish seen in the previous novels, and explores again the might-have-beens of choices gone awry.
In other ways, too, The Duke’s Children gathers up themes from earlier Palliser novels: forgiveness, constancy, the maturing of youth, the constraints of nature, the disruptions of chance. Importantly, too, it displays complexities of political commitments from the vantage point of a younger generation coming of age. All this seems to have been deliberate. The manuscript for the novel shows Trollope made cuts—very rare in his corpus—of about 65,000 words at the request of the publisher. These often develop more explicitly the back-references to the earlier novels.
As the series concludes, Trollope finally gives vent to his own bitter experience of parliamentary elections: “Parliamentary canvassing is not a pleasant occupation. Perhaps nothing more disagreeable, more squalid, more revolting to the senses, more opposed to personal dignity, can be conceived.” This account is often to taken to arise out of Trollope’s own experience of campaigning in Beverly where he stood as a Liberal candidate in east Yorkshire. Despite Trollope’s disgust at the process, and disappointment at the outcome, The Duke’s Children ends with the Duke of Omnium returning to office, and an optimistic outlook for the political careers of the next generation.
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Subjects
Social life and customs, Widowers, Literature, Romance, Parent and adult child, Fiction in English, Fiction, Conflict of generations, Family relationships, Prime ministers, Classic Literature, Nobility, British and irish fiction (fictional works by one author), England, fiction, Plantagenet Palliser (Fictitious character), London (England) -- Fiction, Domestic fiction, Political fiction, Palliser, Plantagenet (Fictitious character) -- Fiction, Prime ministers -- Family relationships -- Fiction, Conflict of generations -- Fiction, Parent and adult child -- Fiction, Widowers -- Fiction, Nobility -- FictionPlaces
London (England)Times
19th centuryShowing 8 featured editions. View all 51 editions?
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The Duke's Children
May 21, 2014, CreateSpace Independent Publishing Platform
paperback
1499625715 9781499625714
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The duke's children
1974, Oxford University Press
Hardcover
in English
- Repr.
0192504622 9780192504623
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The Palliser Novels, book 6: The Duke's Children
Plantagenet Palliser, the Duke of Omnium and former Prime Minister of England, is widowed and wracked by grief. Struggling to adapt to life without his beloved Lady Glencora, he works hard to guide and support his three adult children. Palliser soon discovers, however, that his own plans for them are very different from their desires. Sent down from university in disgrace, his two sons quickly begin to run up gambling debts. His only daughter, meanwhile, longs passionately to marry the poor son of a county squire against her father's will. But while the Duke's dearest wishes for the three are thwarted one by one, he ultimately comes to understand that parents can learn from their own children. The final volume in the Palliser novels, The Duke's Children (1880) is a compelling exploration of wealth, pride and ultimately the strength of love.
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