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The realm of the imaginary, which has always been regarded as the primal domain of art, has expanded progressively under the influence of new technologies in the early years of the twenty-first century. Through a process of mutual interaction, the imaginary permeates and shapes reality- and vice versa. The imaginary potential of the visual image has become increasingly significant. This ongoing process is designated by the concept of the image. The works presented in this exhibition explore the image at the moment of its fundamental reconfiguration. Changes affecting the origin, distribution, function, and mission of the image have made it both the point of departure and the principal object of artistic analysis.00Exhibition: Museum Fridericianum, Kassel, Germany (30.01. - 01.05.2016).
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Subjects
Modern Art, ExhibitionsPeople
Cory Arcangel (1978-), Trisha Donnelly (1974-), Isa Genzken (1948-), Wade Guyton (1972-), Pierre Huyghe (1962-), Mark Leckey (1964-), Michel Majerus (1967-2002), Philippe Parreno (1964-), Seth Price, Sturtevant (1924-2014), Seth Price (1973-), Elaine Sturtevant (1930-2014)Times
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Edition Notes
Published on the occasion of exhibition at Fridericianum, Kassel, Germany, January 31-May 1, 2016.
Includes bibliographical references.
English and German.
Classifications
The Physical Object
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- Created December 18, 2022
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April 18, 2023 | Edited by ImportBot | import existing book |
December 18, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |