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"This book argues for the existence and deployment of non-visual imagination in the reading and viewing of Shakespeare. It seeks to save the imagination of Shakespeare from abstractness and restore such imagination to a literal concreteness of somatic sensory experience. Instead of considering "the body" from the outside in the manner of cultural critics, Frey considers the reader and viewer's body from the inside in the manner of subjective responders or some affective critics.
He argues that Lear's "howl," for example, targets and rewards physical hearing, physical speaking, and their accompanying emotions as somatically connected to current or remembered sensations in mouth, throat, and lungs."--BOOK JACKET.
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Making sense of Shakespeare
1999, Fairleigh Dickinson University Press
in English
0838638317 9780838638316
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Edition Notes
Includes bibliographical references (p. 187-202) and index.
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The Physical Object
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- Created April 1, 2008
- 11 revisions
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July 18, 2024 | Edited by MARC Bot | import existing book |
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April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |