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Aftershocks of the new: feminism and film history
2002, Rutgers University Press
in English
0813529956 9780813529950
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Book Details
Table of Contents
Introduction
The "place" of television in film studies
Feminism and film history
German film theory and Anglo-American film studies
After shock, between boredom and history
Historical ennui, feminist boredom
World weariness, Weimar women, and visual culture
Nazi cinema at the intersection of the classical and the popular
The Hottentot and the Blonde Venus
Film feminism and nostalgia for the seventies.
Edition Notes
Includes bibliographical references (p. [195]-206) and index.
Rev. papers, presented on various occasions, most of which were previously published, 1986-1999.
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- Created April 1, 2008
- 17 revisions
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