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"Part technological history of the emergent new media in the late nineteenth century, past theoretical discussion of the responses to these media - including texts by Rilke, Kafka, and Heidegger, as well as elaborations by Edison, Bell, Turing, and other innovators - Gramphone, Film, Typewriter analyzes this momentous shift using insights from the work of Foucault, Lacan, and McLuhan. Fusing discourse analysis, structuralist psychoanalysis, and media theory, and the author adds a vital historical dimension to the current debates over the relationship between electronic literacy and poststructuralism, and the extent to which we are constituted by our technologies."--BOOK JACKET.
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Includes bibliographical references (p. 267-315).
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- Created April 1, 2008
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March 28, 2025 | Edited by ImportBot | Redacting ocaids |
July 16, 2024 | Edited by MARC Bot | import existing book |
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April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |