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The early practitioners of photography in the late 19th century and first decades of the 20th century shaped the evolving language of the medium by expanding the limits of the photographic vision. Many of these pioneers were immigrants - people displaced by choice or, quite often, by necessity. These photographers became observers and interpreters of their new surroundings through the filters of their different cultures, languages and religions. Photography in the 20th century (particularly the Modernist vision) is deeply indebted to them. Displaced Visions reconsiders the work and influence of key figures in modernist photography from the point of view of their status as immigrants, considering how this condition affected their vision and creativity and enhanced the development of the photographic language in general.
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Displaced visions: émigré photographers of the 20th century
2013, The Israel Museum, Jerusalem
in English
1848221304 9781848221307
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Edition Notes
Published in conjunction with an exhibition held at Nathan Cummings 20th Century Art Building, the Israel Museum, Jerusalem, May 28-September 20, 2013.
Includes bibliographical references and index.
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- Created November 13, 2020
- 3 revisions
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December 22, 2022 | Edited by MARC Bot | import existing book |
November 2, 2021 | Edited by ImportBot | import existing book |
November 13, 2020 | Created by MARC Bot | Imported from Library of Congress MARC record |