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"Examines how six writers reconfigure African American subjectivity in ways that recall postmosternist theory"--Provided by publisher.
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Subjects
Subjectivity in literature, African American authors, Postmodernism (Literature), Intellectual life, History and criticism, American literature, African Americans, Postmodernism (literature), African americans, intellectual life, American literature, african american authors, history and criticismPlaces
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Postmodernism, traditional cultural forms, and African American narratives
2013, State University of New York Press
in English
143844835X 9781438448350
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Book Details
Table of Contents
Postmodernism, traditional cultural forms, and African American subjectivity
Multiple representations of Philadelphia and John Edgar Wideman's Philadelphia fire
The trickster, African American virtual subject and Percival Everett's erasure
Using jazz music and aesthetics to re-describe the African American in Toni Morrison's jazz
Revolting to sustain psychic life: Bonnie Greer's hanging by her teeth and the encounter with the other
Virtual-actual reality and Clarence Major's reflex and bone structure
The Jungian/African collective unconscious, jazz aesthetics, and Xam Cartier's Muse-echo blues
Conclusion.
Edition Notes
Includes bibliographical references (pages 309-324) and index.
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- Created October 18, 2020
- 6 revisions
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January 10, 2024 | Edited by ImportBot | import existing book |
December 21, 2022 | Edited by MARC Bot | import existing book |
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January 27, 2022 | Edited by ImportBot | import existing book |
October 18, 2020 | Created by MARC Bot | Imported from Library of Congress MARC record |