An edition of Visual methods in social research
(2001)
Visual methods in social research
by Marcus Banks
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Previews available in: English
Subjects
Visual anthropology, Social sciences, Photography in the social sciences, Visual sociology, Research, Recherche, Sciences sociales, SOCIAL SCIENCE, Photographie en sciences sociales, Sociaal-wetenschappelijk onderzoek, Methodology, Visuele middelen, Anthropologie visuelle, Sociologie visuelle, Electronic information resources, Sociology, research, Social sciences, research, Empirische sozialforschung, Visuelle medien, Visuelle wahrnehmung, Ethnologische fotografie, Bildanalyse, Methodologie| Edition | Availability |
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1
Visual Methods in Social Research
2015, SAGE Publications, Limited
in English
1473926815 9781473926813
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2
Visual Methods in Social Research
2015, SAGE Publications, Limited
in English
1446269752 9781446269756
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3
Visual Methods in Social Research
2015, SAGE Publications, Limited
in English
1446269744 9781446269749
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4
Visual Methods in Social Research
2001, SAGE Publications, Incorporated
in English
1280369906 9781280369902
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6
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Visual Methods in Social Research
2001, SAGE Publications, Incorporated
in English
1412931371 9781412931373
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Book Details
Table of Contents
Machine generated contents note: 1 Reading pictures
1.1 The trouble with pictures
1.2 An introductory example
1.3 Unnatural vision
1.4 Reading narratives
2 Encountering the visual
2.1 On television
2.2 Visual forms produced I: representations of society
2.2.1 Interpreting Forest of Bliss
2.2.2 Still and moving images
2.3 Visual forms produced II: representations of knowledge
2.3.1 Diagrams of Nuer lineages
2.3.2 Diagrams of Indian caste
2.4 Visual forms encountered
2.4.1 Encountering indigenous media
2.4.2 The image as evidence
2.5 'Us' and 'them'?
3 Material vision
3.1 Object and representation
3.2 The materiality of visual forms
3.2.1 Displaying family photographs
3.3 Exchanged goods
3.3.1 Market exchange
3.4 Size matters
3.5 Transformations: digitization and computer-based media
3.5.1 Digital manipulation
3.5.2 Digital pornography: constraining the virtual
3.5.3 Digital pornography: exchange and circulation
4 Research strategies
4.1 Silk thread to plastic bags
4.2 Researching image use and production in social contexts
4.3 Watching television
4.3.1 Soap opera in India and Egypt
4.3.2 Television as a social presence
4.4 Doing things with photographs and films
4.4.1 Photo-elicitation with archival images
4.4.2 Photo-elicitation with contemporary images
4.4.3 Learning from photo-elicitation
4.4.4 Film-elicitation
4.5 Working with archival material
4.5.1 Photographic archives and picture libraries
4.5.2 Film archives
5 Making images
5.1 Observing
5.2 Creating images for research
5.3 Documentation
5.3.1 Documentary exploration
5.3.2 Documentary control
5.4 Collaborative projects
5.5 Indigenous media collaborations
5.5.1 Collaborative after-effects
5.6 Ethics
5.6.1 Permissions
5.6.2 Returning images
6 Presenting research results
6.1 Audiences
6.2 Presenting photographs ,
6.2.1 The photographic essay
6.3 Presenting ethnographic and other films
6.3.1 Study guides and other contextualization
6.4 Databases and digital images
6.4.1 Can computers see?
6.4.2 The HADDON Catalogue
6.5 Multimedia projects
6.5.1 Interacting with the Yanomamo
6.6 Copyright
7 Perspectives on visual research
7.1 The state of visual research
7.2 The place of visual research
7.3 The nature of visual research
Further resources
Bibliography
Filmography
Index.
Edition Notes
Includes bibliographical references, filmography and index.
Classifications
The Physical Object
Edition Identifiers
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